Writers
have been working at destroying mankind since the Epic of Gilgamesh
was written more than 4,000 years ago. It's a genre that has never
lost its popularity, and with each new generation comes a new way to
kill off the majority of the population of the world. Maybe it's a
secret thrill of most writers – who spend their time working alone
– to want to kill off all those people who wouldn't buy a book.
Despite
the reasoning for the proliferation of apocalyptic fiction, and
despite the tried and true formula, it still makes for interesting
fiction because it gives an author a chance to traumatize his heroes.
And as we all know, that trauma can make for a gripping story.
Such
is the case with Geoff Nelder's “ARIA: Left Luggage.”
The formula
is there as created in its post-modern template by Stephen King with
“The Stand.” This is not to say that Nelder is unoriginal, far
from the case. Within the basic formula you find comfort which gives
Nelder wiggle room to play around with the genre.
In
ARIA, the destruction of mankind comes in the form of a suitcase
apparently hurled towards our Big Blue Marble by aliens hanging out
in the outer reaches of the solar system. The case is picked up by
the international crew of the International Space Station. Instead of
tossing it back to its owners or destroyed – as suggested by the
plucky mission specialist Jena – the case is sent back to Earth
where it is promptly opened. Nelder could have unleashed any sort of
hell on the planet but chose a virus that makes people forget up to a
year of their lives every week.
The
first third of the book deals with the ramifications of this, jumping
between characters as they deal with this virus. Nelder handles this
necessary component of apocalyptic fiction just fine. At times the
jumping around amongst the dozen or so characters or situations seems
rushed, but that's understandable. We need to understand how losing
our collective memory at such a fast rate would affect things. One chapter that especially hits home is a diabetic trying to get her
medication from drug stores where the pharmacists have all forgotten
to show up for work.
As
he gets to the meat of the story, Nelder focuses on Ryder Nape, a
documentary maker and journalist, who with his girlfriend, his boss
and his girlfriend's colleague escape infection by heading to a
university study site set in the Welsh countryside. Ryder and his
group are in contact with the astronauts at the space station and
with a girl in Australia who seemingly is immune to the virus. (I
mention her in passing not because she has anything to add to the
story, but will probably be important in Left Luggage's sequel.)
There
really are no surprises in this story, but I'll refrain from giving
up the ending. I think it's fair to say that the space station
crew eventually makes it to Wales and a possible cure for the virus
makes its way to Earth. Surprising plot twists are overrated in
fiction and many times are forced without any reason. I like to be
led in any direction an author is willing to send me and I like to be
engaged.
Nelder
did a great job with this. Once I started reading I wanted to finish,
and while I wondered where Antonio would pop up after his "death," I
was more impressed with the creation and genesis of all the
characters. I'm looking forward to reading the second book in this
trilogy and hopefully Nelder will hold me until the third.
Thanks Rory. The main premise of ARIA is its original and unique concept of using infectious amnesia. I'm amazed no one has thought of it and used it before.
ReplyDeleteThe sequel was released last month - details at
http://www.ll-publications.com/returnluggage.html